morganstuart: (Five Boxes)
[personal profile] morganstuart
Title: Five Boxes
Author: Morgan Stuart
Fandom: Sherlock
Disclaimer: This universe does not belong to me; I'm just an appreciative visitor. I make no profit from this fan work.
Description: After Sherlock's fall, what is left?
Historian's Note: This takes place after events depicted in the second-series Sherlock episode "The Reichenbach Fall."
Warnings (Highlight to Read): Implied spoilers for "The Reichenbach Fall"



#1

"All right, mate?"

The cabbie has every right to wonder. They've arrived, after all. They're in front of 221B Baker Street, and John is simply sitting, staring straight ahead, giving no indication he's going anywhere.

He's a fly caught in amber, a fossil in stone. He can't move.

The cabbie turns, an expression of growing concern replacing his impatient scowl.

"Give us just a mo', please," John mutters. He pulls out his mobile with grim determination, as if he's drawing his sidearm.

Mrs Hudson's greeting is warm and grounding, but it doesn't hold the key to unlock his traitorous legs. He kneads a hard fist into his thigh and imagines a bruise blossoming beneath the sturdy denim.

"Hello, Mrs Hudson."

"Oh, John. It's good of you to ring." After a beat, "I came across some things, dear. Tidying up."

Not packing, bless her. Nothing so final.

"Detective things, you know, mementos from your cases," she continues. "I thought… well, he'd want you to have them. I put them in a box for you."

He squeezes his eyes shut.

Those few tragic seconds play before him in continual loop, projected against the dark screen of his eyelids. Sherlock's spreading his arms, pitching forward, falling…

When he opens his eyes once more, he's grateful that Mrs Hudson doesn't know he's sitting there, just outside her door, paralysed. The fingers that clutch his mobile are shaking.

"I can't," he manages at last, not even finishing the thought, not naming what it is he can't do. "Not. Just. Now."

There's understanding and sympathy in her pause as well as grief. He can hear them above the sound of his own forced, measured breaths.

"Of course, dear." Her voice grows hushed as she agrees. "There's no hurry."

He nods.

The doctor in John whispers that deep cuts bleed out or fester if not quickly tended. The soldier shouts him down, exhorting John not to confuse a wise tactical retreat with surrender.

There will be other opportunities for this battle. There's no need to send the wounded to the front line today.

When he speaks again, his words are for the cabbie, not Mrs Hudson.

"Take me back. Now. Please."


#2

She's hugging herself so tightly she can scarcely draw breath.

There are words she must get out – she can feel them rising up to choke her, sharp and agonising, like razorblades in her throat – and she prays to God she hasn't missed him, she's not too late.

A young man is planted outside the DI's door. He looks bloody miserable there. The new lad: yes, of course it's him. Lestrade has too much history with anyone else.

The higher-ups might be celebrating the chance to see the back of Lestrade for a time, but they're in the minority. The rank and file of the Yard show him the kind of respect that's won over time, not freely given. Sally doubts another officer could be found on the premises willing to escort him to the exit.

This man – boy, really – shifts from foot to foot as she approaches, as if he feels guilty for following the orders he's received.

She pretends he isn't there and peers over his shoulder into the empty room. It looks exactly as it did before Lestrade left. Before that message from St Bart's drained all colour from his face and sent him running.

Christ.

No, her first impression wasn't quite accurate: the office doesn't look exactly the same. A cardboard box sits on his desk atop the stack of papers.

"I'm sorry, Sergeant," the young man blurts out. "He's already gone."

She's damned if she knows what her next move is.

Hell, she's damned anyway, isn't she?

He seems to take her silence as an invitation to unburden himself. "They said to tell him he could take his personal effects with him. I brought the box. But."

"But," she prods.

"He said his case files and notes aren't just personal, they're his life." He fidgets, and Sally fights the urge to slap him. "Those stay here, you know. He'll have no access. Protocol. I told him so, and he… he just walked off. Told me to bin anything that was left. Said it didn't matter."

She gazes back into the familiar room – not just vacant now, but soulless, and it's her doing, God help her – and she swallows.

Personal effects. Like a litany, she recites the list to herself. There's a dark tie he keeps in the left-hand bottom drawer of his desk. He wears it to funerals, and to visits with bereaved families when delivering bad news, and to meetings with superiors when receiving bad news.

Beside it there's an empty picture frame Sally salvaged from the rubbish bin after removing the photo of his ex-wife. The glass is broken, but it's quite a nice frame. She's hoped someday he'll have need of it again. Molly in the morgue always has a smile for him, it seems.

God knows he deserves…

His stash of nicotine patches and emergency cigarettes migrates according to his mood and need, but it's somewhere in there.

On top of the file cabinet sits the mug she got him for his last birthday, the one that reads "London's Finest." It mocks her from its solitary perch.

Before she knows what she's doing, she presses her hand to the glass of the door.

"Sergeant," the man says.

She ignores him.


#3

It matters not one whit that the others don't speak. He can hear them thinking. Of course he can.

He can hear them reading the headline to themselves, rolling the words off their mental tongues, tasting its scandal: "Suicide of Fake Genius."

The Diogenes Club resounds with the silent echoes of its members' scorn and contempt for his baby brother, a man none of them is worthy to judge.

There is far more to the story than even this intelligentsia knows. Then again, Mycroft muses, there always is.

In Mycroft's mind there are many mansions; he enters the distant one on the horizon and follows a labyrinth of stairways and corridors to an underground chamber that houses a secret, soundproofed room.

Hardly a room. A cell, rather. A box.

Access requires a retinal scan, a digital fingerprint, and the recitation of an arcane code phrase in both Classical Latin and Old English.

He folds his long bulk into the cramped compartment and seals the door behind him.

In that most hidden space, Mycroft screams.


#4

His hands are thrust deep into his pockets. His shoulder rests against the wall. He's not hunched, exactly, but braced, as if unsure of his welcome. His gaze is fixed on the pavement as she opens the door.

"Mrs Hudson." He straightens and nods his head in that respectful way he has outside of crisis moments, giving the impression of a bow. Then his eyes are on hers, dark and shadowed and more than a bit bloodshot. "How are you?"

"Oh, you know, dear," she says. "As well as can be expected."

She doesn't return the kindness of the question, because it's clear that he can't say the same.

She's no consulting detective, true, but she can deduce from his unshaven face and his casual trousers and shirt that he isn't on the job. That's another aftershock from the recent tragedy, she guesses.

For someone who lives for his work as the detective inspector so evidently does – she knows that sort well, doesn't she? – exclusion from it must be a form of slow torture, if not death. Especially now, with so many unanswered questions, so much that wants explaining.

She regrets handing him disappointment. He has the look of a man who needs no more of it.

"I'm sorry, Detective In—"

"Greg," he offers.

"—Greg, but John's not here. He's… taking some time away. I can get you his temporary address, if you like."

"No. No, actually, I knew he's gone. I thought I'd drop by to see how you were getting on." His shrug is somewhat self-conscious as he runs a hand through his silvering hair. "To ask if you need anything."

Lovely man.

"Oh, that's very kind of you, dear."

It's good of him to trouble himself, but she realises what he, perhaps, does not: he's the one in need. He's here because he doesn't know where else to go, what else to do with himself.

The signs are all too familiar. Hardly the first broken man to turn up on her doorstep, is he?

Her boys. They'd healed from their past hurts so well, each growing stronger in his own way, it seemed, and growing together in the process.

Then one fell from the roof of St Bart's, and three shattered.

She recalls Lestrade at Sherlock's funeral, at the morgue as John related the confusion of Sherlock's last message, here at Baker Street on the terrible evening of the arrest…

The thought of that night nearly moves her to tears.

And if it affects her that way…

"Right then," Lestrade says into the awkward silence. He withdraws one step, then another, broad shoulders sagging. "Good to see you. I'll just—"

Oh no, this won't do.

"He knew. Sherlock," she interrupts. "John told me that you rang to warn him that night. You'd never have done it if you doubted him. If I can see that, dear, you can be certain he did."

Lestrade goes perfectly still. Then he slumps, seemingly fascinated by the sight of his own shoes.

"That message he told John to give us – what was he thinking? I can't imagine – was meant to convince us. Because he knew we still believed in him, you and I. He knew."

Perhaps she's crossed some line of propriety, but age has its privileges, and she trusts her instincts about this. She can't mend the situation, but she'll do what she can to mend its other survivors.

Finally he turns a searching gaze on her. "You think so?"

"I do," she says.

He nods and ducks his head.

"Thanks." One simple, gruff word.

"And as for what I need, Greg," she says, extending her hand to him, "I need some company for tea. You'll join me, won't you? I do insist."

At that, he attempts a smile.

She wipes her eyes as he follows her inside.

He pales at the sight of Sherlock's freshly-washed test tubes and beakers in boxes on her kitchen table. Without being asked, he stacks them neatly in a corner, handling each with the fierce protectiveness due a newborn child.


#5

He likes to call them "boltholes," these invisible pockets of safe haven he has secreted about the city. They're grotty flats and dismal bedsits wedged into dark corners where no respectable citizen would wish to peer for long, camouflaged by general deterioration and not-so-benign neglect.

They're just the thing when Sherlock needs to disappear for a time, to conduct his hunt from a private base of operations.

Mycroft discovered a few of them years ago during one of his more infuriatingly interventionist periods, instantly ending their usefulness. Sherlock hasn't yet forgiven his big brother for that.

Lestrade stumbled upon another on a night Sherlock doesn't recall too clearly; he resents this intrusion rather less, although he'll never admit it, since the good detective inspector's interference alone likely kept Sherlock from becoming one more of many junkies who'd overdosed and died in that particular ruin of a building.

This is one of the oldest of his boltholes; it has survived Mycroft's meddling and Lestrade's do-goodery and his own various experiments with the most effective ways to make untraceable use of the family funds.

It's now paid for itself, many times over.

It smells of dust and disuse and less wholesome things, but Sherlock isn't fussed. His thoughts are decidedly elsewhere.

Primarily on the safety of three ordinary, boring, brilliant individuals.

His tasks are as straightforward as they are challenging: collect new data, analyse the power dynamics within Moriarty's now-leaderless organisation, and make certain key figures from said organisation are dead.

Only then can Sherlock be sure those three lives are no longer at risk.

To focus on this driving imperative, he fights to ignore the inconvenient and shockingly potent emotions he scarcely admits to himself: the loss and loneliness he feels at the severing of those three ties, the regret at the pain he's caused. The anguish of this caring lark.

He fights to ignore the mental image of Lestrade slumped at his desk, Mrs Hudson collapsed at home, and John, his John, splayed on the pavement at his feet. Lifeless.

He also fights to ignore the small box under the fourth floorboard behind the bed that promises to make the burden of his new existence bearable. The box is still there, after all this time, singing its siren song with exquisite clarity. Sherlock appreciates that he could open it and disappear in every sense, and his three friends would carry on without him, and it would be so simple

It won't happen. He has investigations to conduct, plans to make, criminals to kill.

A game to win.

A life to resume.

He drowns out the box's song with the sound of his own voice. It rises and falls in a perpetually one-sided conversation with his absent blogger.


EPILOGUE (A BONUS BOX)

It's a charming cottage, and John imagines it will require little effort to make it feel like home.

As he waits for the kettle to boil, he wanders to the sitting room. He's found the perfect spot for his desk, near enough to the fire to be cosy on winter evenings. Perhaps he'll finally do as Greg often suggests and edit his old blog posts into book form.

For now a maze of boxes dominates the space. If he doesn't unpack them, the chore won't be done. The beehives have Sherlock's full attention.

He turns to the nearest box and peels back its flaps.

And he is ambushed.

He stares. Time passes.

"John?" The pitch of Sherlock's voice suggests he's already said the name several times.

With a deep breath, John pulls himself back to the present. "Look what I found." He holds his discovery up for inspection.

"The ear hat, John? Really."

"I don't suppose there's much call for deerstalking 'round the apiary."

"None at all, actually."

"Right." John continues to study the hat in his hand, even when his vision goes a bit blurry.

"John?" Softer this time.

"I asked you, you know." After several heartbeats, John blinks up at his friend. It's an old man's self-indulgence, this, but he is an old man, after all, and he reckons he's earned it. "For one more miracle. And you gave it to me."

Sherlock considers him with a pale-eyed, unreadable expression, then shifts his weight, clears his throat, and twitches his long, manic fingers. "Yes. Well. I asked you for a cup of tea. It seems one of us must live with disappointment."

For a moment neither speaks. At last John shakes his head.

"You," John says in a solemn tone, "are an idiot."

And there it is, that half-mad grin that John would follow anywhere.


THE END


Vital Stats: Originally written in April 2012.

Originally written for this prompt at [livejournal.com profile] sherlockbbc_fic.

This is a "Five Vignettes" story. Each of these Sherlock stories is a standalone work written in a similar format. My others are as follows:
"Five Nightmares"
"Five Ghost Stories"
"A Little Night Reading: Five Vignettes"
"Five Birthdays"
Page 1 of 2 << [1] [2] >>

Date: 2012-04-19 12:34 am (UTC)
From: [identity profile] sc010f.livejournal.com
*crawls inside the bonus box*

Gorgeous as always, dearest!

Date: 2012-04-20 08:22 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you so much! I'm so tickled you liked the bonus one. :D I appreciate it!

Date: 2012-04-19 01:21 am (UTC)
From: [identity profile] litlover12.livejournal.com
So, so good! Mycroft and his box, in particular, are brilliantly done. And the bonus box is utterly charming. Another tour de force!

Date: 2012-04-20 08:24 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you so much! I'm really pleased to hear you liked the Mycroft box in particular, and that the bonus one worked for you. :D I appreciate your kind words!

Date: 2012-04-19 01:34 am (UTC)
From: [identity profile] mazarin221b.livejournal.com
Oh, you brought in the bolt holes! Wonderful! I love how you've framed this - not just little boxes but big ones, what they hold, what they don't, how they contain or protect. Gorgeous work!

Date: 2012-04-20 08:25 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Yay! I love the idea of his boltholes all over London...

I love how you've framed this - not just little boxes but big ones, what they hold, what they don't, how they contain or protect.

Ah, this thrills my heart! I'm so grateful to you for this. Thank you for your kindness. You've put a huge smile on my face.

Date: 2012-04-19 02:04 am (UTC)
From: [identity profile] maggie-conagher.livejournal.com
writing and saving this for my carrot.

Goes slowly tonight, pup has fleas in spite of last week's intensive flea treatment and there was an interminable chorus of squeaky toy, second verse same as the first.

It all sounds like rubbish and will likely go in the bin tomorrow but writing begets writing.

be back soon.

OK, back now.

It feels like a long time since I've had the chance to read a longer bit by you. Really missed your mastery.

I'll quote an old professor. "this is so tight you couldn't get a piece of paper in there."

Weaving, themes but so natural and unobtrusive. It's not like BOX flashes red in each one, not a Where's Waldo? but more like a symphony where the theme comes back but now it's the woodwinds.

Tearing up. Sally's was tough for me because I had to leave a job after sixteen years and packing up the office was such an ugly thing.

Prettiest little line ever. "Then one fell from the roof of St Bart's, and three shattered."

I will have to make sure that I've read all of the other Fives.
My flist has been dead as a doornail. We need your words as you are able, please.
Edited Date: 2012-04-19 02:38 am (UTC)

Date: 2012-04-20 08:30 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Aw, poor pup! And poor pup's caretaker! Best wishes with the fostering and the writing, both.

Your incredibly kind words have made my day. Thank you so much for this. I'm really thrilled that the structure of this and the way I used the box idea seemed fitting. I'm also especially tickled that you liked the "three shattered" line.

Your encouragement means a lot to me. Thank you.

Date: 2012-04-19 03:58 am (UTC)
From: [identity profile] splix.livejournal.com
That was absolutely brilliant. The voices, the emotions - stunning. I'm sorry I can't be more eloquent. It ripped me ragged. Thank you so much.

Date: 2012-04-20 08:32 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
You can't imagine how much I appreciate your kind and generous words (and your rec!). I'm really thrilled this seemed properly moving to you. Thank you so much for your wonderful encouragement! It means a lot.

Date: 2012-04-19 08:15 am (UTC)
From: [identity profile] archea2.livejournal.com
Ah, I should have known this was a piece of yours. Very delicate and elegiac, but the bonus box was a happy surprise!

Date: 2012-04-20 08:33 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Aw, thank you so much, my dear! I'm so glad this worked for you, including the bonus box. :)

Date: 2012-04-19 09:41 am (UTC)
From: [identity profile] 221b-hound.livejournal.com
I read the first five over at the meme: what a delight to find the epilogue here! Lovely. Perfect. Thank you.

Date: 2012-04-20 08:34 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you so much for your encouraging words back on the meme, as well as for following me over here. I'm tickled that you liked the epilogue! I really appreciate your kindness. Thanks again.

(no subject)

From: [identity profile] 221b-hound.livejournal.com - Date: 2012-04-21 06:57 am (UTC) - Expand

Date: 2012-04-19 01:19 pm (UTC)
From: [identity profile] talimenios79.livejournal.com
This was wonderful.

Date: 2012-04-20 08:34 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
I'm so tickled you think so! Thank you for this.

Date: 2012-04-19 02:08 pm (UTC)
From: [identity profile] drinkingcocoa.livejournal.com
Ohhhhhh! How beautiful and spacious in so many different spaces!

Break my heart with your Lestrade, why don't you?! Oh, the depleted aching love in the wake of his absence, the sorrow. The dark necktie. That really got me.

MYCROFT'S. Wow. The unlocking with two different dead languages!!!!! How still and unreadable his body must be while this happens! I love this so much. Of course if Sherlock has a mind palace, Mycroft has several!

And the boltholes. They remind me of the caves in Harry Potter that Dumbledore knows and sends people to -- Hagrid, Sirius -- when they must escape everyone, even dementors. And where Dumbledore himself must have gone in the fifth book. Magical places incubating regeneration.

DAMN, you are an accomplished writer.

Date: 2012-04-20 09:04 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, I appreciate your comments so much!

I'm so pleased that you found the section about Lestrade's absence at the Yard and what he left behind - and how much he was already missed - to be properly moving. I'm really thrilled Mycroft's section worked for you; I love how you described how still and unreadable he must've been, even while shrieking inside. It's a chilling and heartbreaking picture to me, imagining how little evidence he'd show about the turmoil he felt.

Aha, I'm so tickled you liked the boltholes! That's one of my favourite parts of ACD canon, and I adore how you've linked the idea to Harry Potter, too. It delights me that the description reminded you of those places Dumbledore knows and sends his allies to lie low.

You have completely and thoroughly made my day with your generous and kind words. Thank you, truly.

Date: 2012-04-19 02:19 pm (UTC)
From: [identity profile] justjuly4.livejournal.com
lovely, sad, beautifully written. loved the idea! and the epilogue is so lovely too.

Date: 2012-04-20 09:06 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, thank you for this! I'm so delighted that you liked the idea and the execution. I'm particularly chuffed that the epilogue worked for you. I really appreciate your kind words!

Date: 2012-04-19 02:30 pm (UTC)
From: [identity profile] jademac2442.livejournal.com
I quite enjoyed this. Thanks for posting it. The first five broke my heart, but the last one made me smile.

Date: 2012-04-20 09:07 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you so much for your lovely comments! I'm pleased to hear the first five felt properly moving, but that you also had a smile by the end. Now you've given me one. :)

Date: 2012-04-19 02:32 pm (UTC)
From: [identity profile] capt-facepalm.livejournal.com
Ahhhh!
Reading your story feels like the first drink of water after a long journey across the desert.

Date: 2012-04-20 09:07 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, you are the best. Thanks a million for this!

Date: 2012-04-19 03:18 pm (UTC)
kcscribbler: (Default)
From: [personal profile] kcscribbler
*sigh* Times like this I contemplate why I bother scribbling anything in this 'verse when there are such brilliant people out there doing so much a better job. :P

I adored all of these; I think Donovan's and Lestrade's hit me the hardest but they were all lovely, in a brutally lovely, heart-wrenching way. <3

Date: 2012-04-20 09:11 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, perish the thought! You're one of the brilliant ones! (And I apologize for being so far behind in my comments, for that matter.) I'm just tickled to pieces that this worked for you. It means a lot to know that you found the vignettes, especially Donovan's and Lestrade's, to be properly moving. I'm most grateful for your generous and kind words.

Date: 2012-04-19 03:50 pm (UTC)
From: [identity profile] fanbot.livejournal.com
Brilliant!

Date: 2012-04-20 09:12 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, thank you so much!

Date: 2012-04-19 05:31 pm (UTC)
From: [identity profile] mustangwomant.livejournal.com
Love it!! Thank you for sharing this!

Date: 2012-04-20 09:13 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
I'm so glad! Thank you so much for your kind and encouraging words.

Date: 2012-04-19 07:50 pm (UTC)
From: [identity profile] arnie1967.livejournal.com
Awww! So sad, all the way through, then so sweet at the end. Lovely!

Thanks for sharing!

Date: 2012-04-20 09:13 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Aw, thank you! I'm so pleased you found these to be properly moving, and that the ending struck the right note. I really appreciate your kind words.

Date: 2012-04-19 08:18 pm (UTC)
From: [identity profile] debriswoman.livejournal.com
Beautiful work. Thank you.

Date: 2012-04-20 09:14 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
I'm so happy you think so! Thank you for your kind feedback.

Date: 2012-04-19 09:14 pm (UTC)
From: [identity profile] thesmallhobbit.livejournal.com
These are all so very lovely. I particularly liked the Lestrade one, and Mrs Hudson seeing what was needed and providing it without him even being aware what was happening. And so glad you included the epilogue.

Date: 2012-04-20 09:16 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you so much for this. I'm delighted that you liked the scene with Lestrade and Mrs Hudson, in particular. It's great to hear that the epilogue worked for you, as well! I really appreciate your lovely feedback.

Date: 2012-04-19 10:27 pm (UTC)
From: [identity profile] ascendant-angel.livejournal.com
There are no words that can give this justice so I will not try, any attempt would surly sully something this special.

Date: 2012-04-20 09:18 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, thank you! What an amazingly lovely thing to say. I'm most grateful.

Date: 2012-04-20 12:15 am (UTC)
From: [identity profile] theteej2.livejournal.com
*bows to the master*

Date: 2012-04-20 09:19 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, you! *hugs* Thank you for being so kind.

Date: 2012-04-20 02:37 am (UTC)
From: [identity profile] pipmer1.livejournal.com
This. This is simply brilliant. Well done, you. I especially like the way you capture Sherlock's thoughts with #5. I love seeing how people portray his voice, and you do it beautifully.

And the bonus box.. oh my heart! These two are adorable together.


Date: 2012-04-20 09:23 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
I'm really thrilled you liked these, especially Sherlock's voice in #5. It's wonderful to hear that the bonus box worked for you, as well. Thank you so much for your encouragement and kindness. It means a lot!

Date: 2012-04-20 03:00 am (UTC)
From: [identity profile] rusty-armour.livejournal.com
I'm so glad you had that bonus box because I was practically in tears by the time I'd gone through the fifth box! *g* Seriously, though, you should be extremely proud of this story. It's incredibly beautiful and moving. I love the brilliant way in which each scene has a box as its common connection. Oh, and some parts just blew me away in terms of imagery and/or symbolism. For example:

The doctor in John whispers that deep cuts bleed out or fester if not quickly tended. The soldier shouts him down, exhorting John not to confuse a wise tactical retreat with surrender.

There will be other opportunities for this battle. There's no need to send the wounded to the front line today.


AND

In Mycroft's mind there are many mansions; he enters the distant one on the horizon and follows a labyrinth of stairways and corridors to an underground chamber that houses a secret, soundproofed room.

Hardly a room. A cell, rather. A box.

Access requires a retinal scan, a digital fingerprint, and the recitation of an arcane code phrase in both Classical Latin and Old English.

He folds his long bulk into the cramped compartment and seals the door behind him.

In that most hidden space, Mycroft screams.


Date: 2012-04-20 09:39 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Oh, this thrills my heart! I'm so pleased you found these little vignettes to be moving, and I'm delighted that the epilogue struck the right note. It means a lot to know the writing worked for you, especially the imagery and symbolism. The lines about John that you picked out are some of the first I wrote for this piece, and it's wonderful to hear that they resonated with you. I'm also very glad that my description of Mycroft's mental reaction to the others' scorn for Sherlock seemed fitting. It gives me a chill, imagining how still and composed he'd look while he was screaming inside.

You've absolutely made my day with your lovely feedback. I can't thank you enough!

Date: 2012-04-20 11:11 am (UTC)
From: [identity profile] ponders-life.livejournal.com
I'm a relative newcomer to the Sherlock BBC fandom and have just discovered your work. Normally I prefer longer stories, but your shorter pieces are irresistible -- well-crafted, incisive, not a word wasted, and hit hard and true.

Thank you for sharing your talent with us.

Date: 2012-04-20 09:44 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Welcome to the fandom! I'm so glad you're here.

Thank you very much for your wonderfully kind words! They mean a lot to me.

While I have written some longer (and some much, much longer) stories, I'm really delighted to hear that you enjoy my shorter pieces. It's been challenging and fun to experiment with style and try to convey my ideas in smaller "bites." Your feedback about this is most heartening and encouraging. I really appreciate it!

Date: 2012-04-20 03:26 pm (UTC)
From: [identity profile] fitofpique.livejournal.com
Oh, this is painful and gorgeous, and I have so many Mycroft feels right now that his section made me all sniffly.

Date: 2012-04-20 09:46 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Aw!!! I'm so glad this worked for you, and that the Mycroft section in particular felt properly sniff-inducing. I really appreciate your kind feedback. Thank you! <3

Date: 2012-04-21 04:24 am (UTC)
ext_7693: (fan|sherlock - martin & ben script readi)
From: [identity profile] sithdragn.livejournal.com
Thank you so much for fleshing out Sally and making her a person. I understand where the fandom hate comes from, but her feelings toward Sherlock seem very personal, especially when she said, "He'll always let you down." There's some history there.

Another fantastic set. I'm making my way through these and loving them all.

Date: 2012-04-21 08:44 pm (UTC)
From: [identity profile] morganstuart.livejournal.com
Thank you for your comments re: Sally! You're so right: there's obviously history there.

I've written two short pieces, "Triage" and "Passing Thus Alone," which are pre- and post-Reichenbach respectively, in which I tried to explore more deeply her feelings toward Sherlock and suggest reasons for them. My interpretation here sort of builds on those, albeit in a super-brief way. (All that's simply to say that the subject's been on my mind, and it's lovely to hear from someone who is likewise interested!)

It means a lot to me that you liked these, and that you'd take the time to read my other "five vignettes," too. You've made my day with your lovely feedback! I appreciate it very much.
Edited Date: 2012-04-21 09:25 pm (UTC)

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"To trace the remote in the immediate; the eternal in the ephemeral; the past in the present; the infinite in the finite; these are to me the springs of delight and beauty."
- H.P. Lovecraft, 1921

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